Where is the good in goodbye?
Writing is a sad process, sitting on your ass for many, many hours, alone in a room, smelling like coffee, sadness and bitterness, and watching your youth leave.
Girl power in my mind is to let girls be exactly what they are. Let them be angry. Let them be resentful. And rebellious. Let them be hard and soft and loving and sad and silly. Let them be wrong. Let them be right. Let them be everything. because, they are everything.
I like a certain style of show, I like a certain pace, I like a rhythm, I like a lot of comedy in with my drama.
When you write for a show that's not yours, your job is to hear the voices of the characters and write as best you can for those voices.
I think you can't go into any story-breaking process thinking, 'What if they come off as unlikeable?' You just gotta break the story because if you know who your character is, the story will tell you. The story will dictate and say, "This feels off-kilter for this particular person. "
You've gotta have a path [in your life]. And then, within that path, you have to be flexible. When things aren't working, you've gotta cut bait and find something else, but if you don't have a path, you're just dead.
Strong emotions are present in all people. Without feeling, we would not be human. It's unnatural for man to hide what he's feeling, though if taught to do so, he can learn. Love teaches a man to show what he is feeling. Love never presupposes that it can be discerned or felt without expression.
Schools are not exam factories for the rat race.
The universe is but a partial manifestation of your limitless capacity to become.
In man or woman, but far most in man, And most of all in man that ministers, And serves the altar, in my soul I loathe All affectation. 'Tis my perfect scorn: Object of my implacable disgust.