I want to get to the point where people say of my work, that man feels deeply.
If I'm working on a film, I'll do sit-ups for before I shoot. Like, 100 in the morning or something.
If the work is good, what does it matter? I'm doing it because I love it. Why not do as many things I love as I can? As long as the work is good.
For whatever reason, I have an emotional life that wants to come out.
There's so much pressure put on relationships to deliver the satisfaction of life. And to me, that is just not the answer. I feel like it should be something in addition to what you love or be a part of that.
Boys and girls were both created with given attributes, and given the freedom to act and react. But Adam was allowed to name all the animals, and Eve was made from Adam's rib, as a companion for him. No wonder she ate the apple, she was rebelling against a world where everything was stacked against her. She was just a prop to make Adam happy.
The hair is really a way to push me even farther out of just what people know me for. I don't really know what people know me for.
If I could do it over, I'd want to come up to the big leagues like Mike Trout. He's exciting and I like watching him.
It is not in the nature of true greatness to be exclusive and arrogant.
Lastly, waging war against good people is bad for the soul. This may not seem important to you now, but it's the most important thing I've said.
Mostly, we authors must repeat ourselves - that's the truth. We have two or three great and moving experiences in our lives - experiences so great and moving that it doesn't seem at the time anyone else has been so caught up and so pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before. Then we learn our trade, well or less well, and we tell our two or three stories - each time in a new disguise - maybe ten times, maybe a hundred, as long as people will listen.