This is the greatest paradox: the emotions cannot be trusted; yet it is the emotions that tell us the greatest truths.
The problem is, with a lot of children's films, they are very commercial.
It's very hard to say I'm surrealist. It's like saying I'm poetic. It's not something you want necessarily to be aware of.
I think it's a problem when journalists have the title of their article before they do the interview, because it biases the way they conduct it.
At school I was very shy. I wasn't funny really.
I've always liked the idea of inventing stuff. My father told me, because I was naïve, I would think things could work and therefore do them, because I would have no doubt even though there was no solid foundation for this confidence. I don't think I would be a real inventor. But when I set out to do animation, which was my first step into film-making, I realised I could achieve this idea. I could take some elements, create a sort of clumsy invention, and make them work for the camera.
The beauty of doing film is that you construct whatever you do block by block and you can build something that will stay.
I'm a Christian girl. I pray every night and before meals and before I go on stage not to fall.
There is never an absolute answer to everything, except of course that you have to do your squats.
I'm a double bagger. Not only does my husband put a bag over my face when we're making love, but he also puts a bag over his head in case mine falls off.
It's so rare to see a woman's sexuality, real female sexuality, either in the shows or in the clothes.