The unknowable creates the greatest controversies.
. . . what makes a story unique is not necessarily the information in the story but what the writer chooses to put in or leave out. (pg. 146-147)
A partner can encourage you, maybe even stop you from falling, but they can't get you to the top. That's entirely up to you.
When you do your research write down whatever interests you. Whatever stimulates your imagination. Whatever seems important. A story is built like a stone wall. Not all the stones will fit. Some will have to be discarded. Some broken and reshaped. When you finish the wall it may not look exactly like the wall you envisioned, but it will keep the livestock in and the predators out. (pg. 144)
You can never tell you the mountain will allow and who it will not.
a good writer should draw the reader in by starting in the middle of the story with a hook, then go back and fill in what happened before the hook. Once you have the reader hooked, you can write whatever you want as you slowly reel them in.
For a climber, saying that you are stopping by Everest is like saying that you are stopping by to see God.
The great British Library --an immense collection of volumes of all ages and languages, many of which are now forgotten, and most of which are seldom read: one of these sequestered pools of obsolete literature to which modern authors repair, and draw buckets full of classic lore, or pure English, undefiled wherewith to swell their own scanty rills of thought.
Easy roads make sleepy travellers.
A powerful Navy we have always regarded as our proper and natural means of defense; and it has always been of defense that we have thought, never of aggression or of conquest. But who shall tell us now what sort of Navy to build? We shall take leave to be strong upon the seas, in the future as in the past; and there will be no thought of offense or provocation in that. Our ships are our natural bulwarks.
. . . all phenomena are correlated in one absolute and necessary law, from which they can all be deduced.