Let's be healthy big people. Everybody can't be a size 0 or 45, but let's be healthy.
That's the standard technique of privatization: defund, make sure things don't work, people get angry, you hand it over to private capital.
We shouldn't be looking for heroes, we should be looking for good ideas.
The responsibilities of someone in a more free and open society are, again obviously, greater than those who may pay some cost for honesty and integrity.
I mean, it’s true, nobody talks about them, but when you bring it up, the idea that you have to rent yourself to somebody and follow their orders, and that they own and you work there, and you built it but you don’t own it, that’s a highly unnatural notion. You don’t have to study any complicated theories to see that this is an attack on human dignity.
Students who acquire large debts putting themselves through school are unlikely to think about changing society. When you trap people in a system of debt, they can't afford the time to think. Tuition fee increases are a disciplinary technique, and by the time students graduate, they are not only loaded with debt, but have also internalized the disciplinarian culture. This makes them efficient components of the consumer economy.
Technology is basically neutral. It's kind of like a hammer. The hammer doesn't care whether you use it to build a house, or whether a torturer uses it to crush somebody's skull.
Everything I've ever done is out. I don't have boxes of unreleased stuff. There's nothing in the files. I can never keep anything unless I don't like the sound of it or it didn't work. If I can sing it to an engineer, I can sing it to anyone.
Women in love are less ashamed than men. They have less to be ashamed of.
What I do is unusual: chordal movements that have never been used before, changing keys and modalities mid-song.
Songs are like movies to me, and so you put yourself in the movie. You become a character in the movie. The new ones are exciting because they're fresh. But if it's not that, if the story is not what you get into, maybe it's the crowd response. You hit the first chords of 'She's In Love With The Boy' and 20,000 people start to scream, you're pretty motivated. You get what you need. And it's a great story. It works.