I made a decision back in 1978 that, in a trade off for money when I directed Halloween, I would have my name above the title in order to basically brand these movies my own.
Ken has three kids. I have three kids. The first movie was basically the story of our lives. Every man is kind of a villain until he then has kids. And then, they soften us up.
What parents and teachers and caregivers did with me that actually worked and a lot of that was the old fashion 50s upbringing. They just gave the instruction when I did something wrong - life was more structured. So basically it's [my work] based on experiences with me that worked and it was teachers and parents that made me have those experiences.
With the exception of the New York Times, Fox news, and Lou Dobbs of CNN, and talk radio, the rest of the mainstream media has basically been silenced like a bunch of dumb monkeys.
I've attained my mass basically by training hard and very, very heavy.
One comes, and one goes. Basically, what you leave behind is the record.
Art is basically made by dissatisfied people who are willing to find some means to relieve the dissatisfaction.
I have my own record company. I have to answer to God, basically. I'm not young, so I want to make the best possible work I can before I exit.
it's just that in C++ and the like, you don't trust anybody, and in CLOS you basically trust everybody. The practical result is that thieves and bums use C++ and nice people use CLOS.
My job was basically to look at a good friend completely naked and rub lotion on her back. I was naked too, but I got to put a towel on almost immediately. So I was like, "Well, this is going to be embarrassing, but it's also going to be kinda awesome. "
I feel like part of the inequality is that there are few great roles written for older women, and I think part of that is, basically, people want to look at young women, whereas men are still considered attractive - or more attractive - when they get older.
The majority of my training was as a drummer, and drummers are basically accompanists.
I don't think I would be getting any of these movies without that show, and that's a strong show, a great fan base and it's helped me out a lot. It took me out of Canada and brought me down to the states and gave me my career basically.
You basically can say anything to someone on an email or text as long as you put LOL at the end.
Basically, it is your self-esteem that shapes the choice of your job, female, friends, and how you take care of yourself (healthhygienehobby's)!
It's always weird to shoot when you're really basically not wearing anything.
There's the part that I just want what I want, and I don't want to be bothered by anything else, and sort of the short-term more compulsive self. And then that's the longer-term, aspirational self that wants to be informed about the world and wants to be a good citizen. The best media basically helps us strike a balance between those two things.
To most jazz critics I was basically Kenny G.
When you realize the writers start writing to who you are, you're basically reading reviews of yourself. And then it becomes this cyclical nightmare where I feel like I need to play into it, then I find myself acting like the character in real life.
It's interesting now that basically a CG set is the same cost as a real set. So like if you're going to build a CG house in the suburbs, it costs you $200,000. And if you were going to build it in a computer, it'll cost you $200,000. It's the same. . . the relationship is exactly the same.