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I'm also the first straight woman to host this in 20 years, so, we finally made it, straight people.

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Barbara Hepworth

I rarely draw what I see. I draw what I feel in my body.

Art, Body, Draw, Draws, Rarely, See
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My left hand is my thinking hand. The right is only a motor hand. This holds the hammer. The left hand, the thinking hand, must be relaxed, sensitive. The rhythms of thought pass through the fingers and grip of this hand into the stone.

Hand, Hands, Left Hand, Motor, Right, Thinking

I have gained very great inspiration from the Cornish land- and seascape, the horizontal line of the sea and the quality of light and colour which reminds me of the Mediterranean light and colour which so excites one's sense of form; and first and last there is the human figure which in the country becomes a free and moving part of a greater whole. This relationship between figure and landscape is vitally important to me. I cannot feel it in a city.

Colour, Country, Figure, Inspiration, Moving, Reminds

It is easy now to communicate with people through abstraction, and particularly so in sculpture. Since the whole body reacts to its presence, people become themselves a living part of the whole.

Abstraction, Body, Particularly, People, Sculpture, Whole

At no point do I wish to be in conflict with any man or masculine thought. It doesn't enter my consciousness. Art is anonymous. It's not competitive with men. It's a complementary contribution.

Art, Conflict, Men, Wish

Before I start carving the idea must be almost complete. I say 'almost' because the really important thing seems to be the sculptor's ability to let his intuition guide him over the gap between conception and realization without compromising the integrity of the original idea; the point being that the material has vitality - it resists and makes demands.

Demands, Ideas, Integrity, Intuition, Let, Thing
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