Adaptability is being able to adjust to any situation at any given time.
Race, and the discussion of it brings out the bad, the good and the crazy in us.
I've always felt that poetry is the enemy of silence, but of course, in the right moments, silence can be useful. The trick is just trying to figure out when. And when I say silence, I suppose I actually meant erasure - poetry is a force against that, I think, or it should be.
What I love about drafts is the experimental nature of them. The draft is what you know about writing a poem running up against what you don't know about the subject. If you're lucky, you get to surprise yourself.
When I leap, I briefly see the world as it is and as it should be.
Cynicism is a form of obedience.
It's sometimes hard to know who's choosing whom - the poem, the song, or the writer.
I want to work with a director who becomes my brother, my father, for two months. You give yourself over to that person.
I have a big hole in my heart," I said. "But it'll close over. " I don't want to sound all Dr. Phil," she said. "But don't let the scab seal the pain in, okay?" That's good advice," I said. "I hope I can manage it.
When I came to New York, to Brooklyn, I met Alvin Ailey and Stanley Crouch and August Wilson. They were always putting things in a philosophical context. All the great jazz musicians did, too. There was always a sub-context to what they were saying about music even though they would be very down home and earthy. So I started to develop, in addition to my power and ability to simply hear, a way to place myself in a time.
Through a historical catastrophe - the destruction of Jerusalem by the emperor of Rome - I was born in one of the cities in the diaspora. But I always deemed myself a child of Jerusalem, one who is in reality a native of Jerusalem.