As far as I can tell, it's just about letting the universe know what you want and then working toward it while letting go of how it comes to pass.
I will always love psychology, and the basis of psychology is family.
If I fail, at least I will have failed my way.
I also feel like I've learned over the years what is not important, and that is also great: to know what is pointless to spend your energy on, to be more specific.
I do think it's true that anytime somebody comes to you and says, "I'd like to be in your film," it's never good to dismiss them or make fun of them, because if they're passionate and driven enough, they very well might find a way to be in your film.
If I make two movies my entire life, and they're two movies that - whether they make a lot of money or two people go to see them - they speak of me, then I consider them incredibly successful. I don't need to be Steven Spielberg.
My kids are young and my life with them is really stimulating and really full and significant.
Islands in the streams, that is what we are.
Listen can you hear the distance calling Far away but will be with you soon
Growing up in Britain, we didn't have much, worked for everything. To leave food on the plate, Mom classed it as being rude and so we ate because we were hungry, not ate because we had a choice in the fridge.
The muscles that writers need for film are very different from TV muscles. Now, when I hire the writers and put the writers' room together, I know where their muscles need to be.