I wanted very much to be Miles Davis when I was a boy, but without the practice. It just looked like an endless road.
Life doesn't always end up with a bow wrapped around it.
It's been encouraging to hear the pope talking about climate change and take it away from being a political issue to being one of survival.
My grandmother instilled in me two important lessons: I was just as good as anyone else, and education was my salvation. Fortunately, I was able to get scholarships to excellent schools, but I was one of the lucky ones. All of this is what draws me to anti-poverty organizations like Oxfam.
We live in a country [USA] where the belief is that anyone can succeed, but for so many here, and for the majority of the world, that's not the case. In many parts of the world, women and poor people are at a huge disadvantage - certain rights and protections don't exist, and they don't have the chance of upward mobility.
Being involved with Oxfam has really opened my eyes to the world at large and the suffering of others. But my background and my life experience are what have allowed me to understand how interconnected we all are. I believe one person suffering reverberates throughout the world.
What inspired me most was the resilience of the Cambodian people. The country is still living with the trauma of the brutal Khmer Rouge regime. People lost everything - family, friends. The rich culture of Cambodia was nearly extinguished. They are a nation of survivors. And while poverty and infant mortality affect a disproportionate amount of the people there, those I met were hopeful for the future and doing the best they can with what they had.
It's been crazy trying to tour with a baby. But it's actually working out okay.
There is never a lack of subject matter; just absence of creativity.
I like to paint something that leads me on and on into the unknown, something that I want to see away on beyond.
When you're a father you censor yourself. You get just as angry with a child but you don't want to say, "What the filth and foul and I'll filth and foul, filth and foul and, yeah, ya filth and foul face, and I'll filth and foul, foul, filth!" You don't want to say that to a child so you censor yourself and you sound like an idiot: "What the. . . Get your. . . I'll put a. . . Get out of my face!"