And I remember most of what I know that is good and true and lasting has come not from scholars but from minstrels and gypsies.
His lessons were chock-full of analogies for a variety of musical situations. Those little things were my favorites. 'No. . . that's too much vibrato. It's like putting bright red lipstick on a beautiful woman. ' I always thought it was funny that when you broke a musical rule-like accenting a weak beat-he would turn his head away from you sharply, almost as though he were in pain. It's like you just slapped him in the face by being unmusical.