I knew when I was diagnosed with cancer the only thing I could control was what I ate, what I drank and what I would think.
I've never done Something Rotten either.
Where we're telling the story of the history of the ensemblist [in the "Ensemblist Essentials"], using the nine musicals that have won the Pulitzer Prize for Drama as fixed points in time We're going from 1931 to 2016 and using these shows to talk about what the typical show was like for an ensemblist at the time; did this show change anything about that job, while it was changing everything about the way theatre was written and produced and made?
I'd like to see the first act of Sunday in the Park with George, and the second act of Hamilton. Every day.
Showtunes might be able to come back into pop music, which is something we haven't seen since the 50s and 60s. Everything is related to everything else because we're in such a niche industry.
We haven't truly had a zeitgeisty, 'songs on the radio' show, since. . . I want to say "One Night in Bangkok" was the last musical theatre song that charted. That was so long ago.
We're just trying to restore equilibrium to the Universe, that's all.
All that happens is that the destruction of human beings - unless they're Americans - is called collateral damage.
I'm not stopping. My dream has come true, and I'm staying.
A month before graduation I got an off-Broadway job. Then I did some commercials, including one for MCI. You can only see half of me, but it paid well. Thank God for commercials.
How can we appreciate anything fully when overwhelmed with too much?