I want to make something commercial that people can pick up on.
I don't necessarily consider myself part of the animation world.
I'm pretty strict with anyone on our crew when people start to draw too well or draw some in-betweens in the animation.
If I ever wanted to pick someone's brain, like Larry David would obviously be the most relevant.
If I was ever to ask advice, it could be from any actor or showrunner or writer. I wouldn't necessarily ask an animate. I don't want to say that the wrong way, but animation's not really my world.
I'm not honestly a real student of animation. I never was into it all that much. I don't really watch any animated shows.
I'm a slave to the beats of the story, not to the words we use to tell the story.
You can now, if you choose, employ your present success to advantage, so as to keep what you have got and gain honour and reputation besides, and you can avoid the mistake of those who meet with an extraordinary piece of good fortune, and are led on by hope to grasp continually at something further, through having already succeeded without expecting it.
What worries me is that we want to close down our relationship to the world at large. In other words, people's instincts are overwhelmed by the amount of images, or they can't distinguish anymore between Rwanda or Bosnia or Somalia.
Paint should not be applied thick. It should be like a breath on the surface of a pane of glass.
I come from no country, from no city, no tribe. I am the son of the road. . . all tongues and all prayers belong to me. But I belong to none of them.