There's no such thing as a bad Picasso, but some are less good than others.
This historic Christian doctrine of the divinity of Christ does not simply mean that Jesus is like God. It is far more radical than that. It means that God is like Jesus.
A man has made at least a start on discovering the meaning of human life when he plants shade trees under which he knows full well he will never sit.
Evangelism is not a professional job for a few trained men, but is instead the unrelenting responsibility of every person who belongs to the company of Jesus.
The Christian is joyful, not because he is blind to injustice and suffering, but because he is convinced that these, in the light of the divine sovereignty, are never ultimate. The Christian can be sad, and often is perplexed, but he is never really worried, because he knows that the purpose of God is to bring all things in heaven and on earth together under one head, even Christ.
Faith is not belief without proof, but trust without reservation.
It takes a noble man to plant a seed for a tree that will someday give shade to people he may never meet.
Our expense is almost all for conformity. It is for cake that we run in debt; 'tis not the intellect, not the heart, not beauty, not worship, that costs so much.
The real religion is about the understanding that if we can only still our egos for a few seconds, we might have a chance of experiencing something that is divine in nature. But in order to do that, we have to slice away at our egos and try to get them down to a manageable size, and then still work some practiced light meditation. So real religion is about reducing our egos, whereas all the churches are interested in is egotistical activities, like getting as many members and raising as much money and becoming as important and high-profile and influential as possible.
If you think of dramaturgy in North America, which is so realistic and so literal sometimes, sometimes what theaters - especially dramaturgs - ask for is more information, which sometimes can really weigh down a play. There's only so much information a play can have. If you start putting in so much information, it becomes something completely different, it doesn't sing.
The advantages of a virtual production pipeline are that you can reduce the footprint of your production down to the size of the stage.