When we play, we must realize, before anything else, that we are out to make money.
Gratuitous fat jokes always hurt, no matter what.
I do work too hard sometimes, but my mom is such an inspiration. She tells me to 'chill out' and not take things so seriously. She will say: 'Go and have a massage. '
I play a lot of basketball.
To me, there's nothing greater than making people laugh.
I love the phrase, 'Somebody's going to have a good day today, so it might as well be me. ' I feel like you bring everything to the character, I hope.
I had to battle it out with all the usual suspects and whatnot and go to the callback. I was lucky that (writer-director) John (Levine) and I were sort of these two white-boy hip-hop-heads from New York. I think that alone got me in the door.
I try to structure albums in a pattern, like in a way where there's a motif that runs throughout or some kind of conceit that informs it in a general way. Maybe it's in a harmonic key. I like to go metastructural sometimes, like look at more than the three-minute passage and how that interacts with other pieces. And I've been increasingly interested in false starts and fraudulent beginnings, and things that don't reach their implied conclusions. I take an album and I kind of start moving things around like Jenga.
We've been living under outdated immigration rules from decades ago. They're decades and decades old.
We offer a new way for those people of Indian origin to make a difference in their country - and to make some money.
I went swimming the other day and my wife was watching and she said, 'You know, it's funny, it's when you've got no clothes on, no one recognizes you. ' I said, 'What are you saying? That I should do more love scenes?