Too hot to handle, too cold to hold!
There's such good writing now on television and I don't see a lot of great writing on films sadly.
Duets is about six people, so it's like three different movies - three different duets. I was on the set 18 days, spread out over three and a half or four weeks.
I had dropped out of theater school after six months and was just staying on my mom's couch at home in Toronto.
I went to the University of Toronto for a year, and I'm always trying to get across what university is really like.
I was a swimmer growing up. I was a miler - like long, long distance. So I was in the water for four or five hours a day. That's not the way you want to spend your teenage years.
I'd like to do the young cadet thing again for sure, but that's why I wanted to do this, to see if I could do it. I took the scenes out of the script and put them together and read them as one little arc, story and that seemed to work.
I tend to overuse the word "project" only because "book" is terrifying while I'm still in the middle of something. A project can fail. I don't want a book to fail.
Life's real victories must be shared.
TV was my life, growing up. I ran home from school to watch television, and even did my homework with the TV on - my mom had a rule that as long as my grades didn't fall, I was allowed to. So it was my dream to work in television.
When you're doing physical comedy, everybody's involved, not just the actors. Everybody's behind the scenes following them, and we've got Jillian the cinematographer running after them, then we've got three guys behind her who are cable-wranglers running with her so she doesn't trip on it. Every day was a mad-dash to the finish line. Every day was so stressful. Every day was so fun.