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There's the internal rhythm within a sequence, and then there's the rhythm between the sequences, and that's extremely important in constructing the narrative. For example, you don't put two big dramatic scenes right next to each other. But you can use the rhythm of the transition shots; they can often serve a double purpose.

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Bashar al-Assad

We are the fault line; if you don't deal with this fault line, you're going to have an earthquake, that's what we always said.