I won the youth vote in Massachusetts and in California. I did very well with it in Ohio.
I'm trying to escape by forming my own kind of world. Basically, I'm trying to encourage others to do the same.
There's something about living in the country that I think makes you inventive, because nature is full of miracles and wonder and surprises, and if you don't have much money, you have to make things if you want things.
Every few years when it's been another five years that have passed and I haven't made a film and the depression starts taking over totally, I allow myself to do a commercial. And then I feel really dirty and get to work promptly.
The forces that run the world always try to keep things under control. The population might be having a wonderful time, buying iPods and going to nice restaurants, but I still feel they're all kind of under control.
It's hard for me to worry about the studios losing money. I'm not very sympathetic to their money problems, because they certainly haven't been sympathetic to mine.
I was doing political cartoons and getting angry to the point where I felt I was going to have to start making and throwing bombs. I thought I was probably a better cartoonist than a bomb maker.
In Hong Kong, particularly, we craft this art for decades. The action choreographer actually is the action director. He takes over and he choreographs with - by himself or with his team, and place the camera where he feels cinematic effect to bring out that choreography.
Ricky's [Reed] a lot like me. He always says we have the same brain. He does all different genres, and it just happens his first big hit as a producer was [Derulo's] "Talk Dirty to Me," and that Pitbull is his best friend. But he can actually - I swear - he can do every genre.
We were going to the long field which today looked like an ocean, although I had never seen an ocean; the grass was moving in the breeze and the cloud shadows passed back and forth and the trees in the distance moved.
The first attempt at a response: there must have been a fall, a decline, and the road to salvation can only be the return of the sensible finite into the intelligible infinite.