Blood streams in sacrifice; yet anguish finds no cure.
For us in England, the relative value of the pound against the dollar, that has a huge impact on how easy it is to get our films made in the U. K.
I think everyone's going to really try to keep costs down. The more you keep costs down, the more freedom you have creatively. I can protect my filmmakers from any form of creative interference, be it from anywhere, if we're all acting in a responsible way and making the pain of a failure be as little as possible.
The pay window will be: you can choose how and when you see, whether you see it on Comcast or Warner's Cable delivery system or Sky in the UK or you can buy it through Apple, or you might even buy it directly from the studio's site. Who knows? But that will be it. You'll go to the cinema and you'll find a way of digitally interacting with the piece; you'll either buy it or rent it or whatever.
Technical problems are like gremlins. They come and go.
The writer Richard Curtis is a genius.
I love all my Wrights and it would be impossible to say which one I love more, but if you really pushed me, it would be Joe.
I believe that man is in the last resort so free a being that his right to be what he believes himself to be cannot be contested.
Benevolence, like religion, awes even those it cannot win.
If there is a blues song, it just goes in one ear and out the other. But other than that, if it stays with you and when we are all 90, we're going to look back at those songs, and it's going to be emotional. And when someone plays it, and you know it, and you're going to go, "I know that song and I love it. "
It's an experiment, and it's probably good to have a couple states try it out to see before you make that national policy.