The shorter and the plainer the better.
You can't go down anybody else's [road]. It's your dream; it's your life. You don't have to be told by other people what to make of yourself. You decide.
I really get fired up with female protagonists. I can really feel the difference in myself when I am writing a script that has a woman at the center.
The first draft you're pretty much on your own, so I love that. I can let my imagination go wild. I just go crazy. Then, over the years - it takes years to write these things, to make these things come to pass - there are many, many, many drafts. For Maleficent, there were at least 15.
I am a feminist, and I didn't think women would accept a throwback heroine.
For the blockbusters, people were always telling me that if you write female protagonists, the boys won't go, so you have to put the boys' stuff in it to get everybody. I write for people from 8 to 80, and that's not easy.
I have a children's theater background, so I grew up performing for child audiences; it's sort of my specialty. I know the child audience pretty well - or felt like I did because I performed for them so much. I studied a lot about the child audience, about theater. So it was naturally a place that I gravitated to.
One might expect, perhaps, that a man full of genius could pasture in the greatness of his own thoughts, and renounce the cheap approbation of the crowd which he despises; yet he succumbs to the more powerful impulse of the herd instinct. His searching and his finding, his call, belong to the herd.
From what I understand from talking with older friends and feminists, I think that once I enter the workforce and start to think about marriage and having children, my gender will probably eclipse my feminist identity in terms of marginalization. Discrimination in terms of hiring and in the workplace are still real according to statistics. I also think, as a feminist, figuring out what a relationship based on true and complete equality is will be a challenge. But hopefully by the time I'm dealing with those issues feminists will have made great progress in all of those areas.
It is stern work, it is perilous work, to thrust your hand in the sun And pull out a spark of immortal flame to warm the hearts of men: But Prometheus, torn by the claws and beaks whose task is never done, would be tortured another eternity to go stealing fire again.
You want to work with good people. When you're working with good people, it frees you up. There's nothing worse, as an actor, to show up and then feel like you have to protect yourself somehow because you don't feel like you're in good hands.