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So rather than someone coming to my stu- dio and saying, like, "Thank you for your time. I'll see you later," and me not knowing why they don't like my work, I understand now why they don't like it.

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Linda Woolverton

I really get fired up with female protagonists. I can really feel the difference in myself when I am writing a script that has a woman at the center.

Center, Differences, Female, Script, Woman, Writing
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You can't go down anybody else's [road]. It's your dream; it's your life. You don't have to be told by other people what to make of yourself. You decide.

Dream, Life, Make, People, Your Dreams

The first draft you're pretty much on your own, so I love that. I can let my imagination go wild. I just go crazy. Then, over the years - it takes years to write these things, to make these things come to pass - there are many, many, many drafts. For Maleficent, there were at least 15.

Crazy, Draft, Let, Love, Writing, Years

I am a feminist, and I didn't think women would accept a throwback heroine.

Accepting, Feminist, Think, Thinking, Women

For the blockbusters, people were always telling me that if you write female protagonists, the boys won't go, so you have to put the boys' stuff in it to get everybody. I write for people from 8 to 80, and that's not easy.

Boys, Female, People, Protagonists, Write, Writing

I have a children's theater background, so I grew up performing for child audiences; it's sort of my specialty. I know the child audience pretty well - or felt like I did because I performed for them so much. I studied a lot about the child audience, about theater. So it was naturally a place that I gravitated to.

Audience, Child, Children, Grew Up, Performed, Theater
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