Historians relate not so much what is done as what they would have believed.
You should never assume anything coming from a critical standpoint. You should go into everything assuming you're going to get crushed.
The brief flashbacks are sun-kissed, summery and optimistic. It's the only place in the movie you will see red, yellow, orange, or any vibrant colors.
Jude [Law] is really good at playing an obsessive. He has a very watchable quality when he's on a quest for something.
Maybe I'll paint, do photography, just something else. I can see that.
I'm mystified by the stuff that doesn't work. I'm mystified by what's going on in the critical side, too. Stuff I like is getting trashed and stuff that is being praised I think is terrible. I don't really feel in sync with what's happening, but at the same time, what I think keeps me afloat is that I try not to be, and don't want to be, very indulgent. I try to make the films as lean as possible, and to not spend a lot of time crawling up my own ass creatively.
I guess why the Ocean's films are hard for me is because on the one hand you have to make sure the performances are there, but on the other hand it's a film that demands, to my mind, a very layered and complex visual scheme. That takes a lot of time to figure out.
pain can work form the outside in.
What I did was permitted. My emails went to state. gov accounts. I did what I did, and I've said that it was a mistake. I've tried to do the best I could to get that information out to people.
Apparently you don't have to observe the Rules of Etiquette when reuniting with a muderous spouse.
Remember, either you control your money or it will control you.