In hell there is no retention.
I'm still around artists. I don't have anymore wall space. And I don't have the money to collect anymore, the prices are outrageous.
You're like a turd that won't flush.
I was a Shakespearean actor, I had preconceived ideas, line readings - everything was a gesture, everything was conscious.
Easy Rider' was never a motorcycle movie to me. A lot of it was about politically what was going on in the country.
The best and only authentic book written on the sixties underground.
I used to have to wear a gas mask to school when I was a kid because of the dust. I would tell people that the first light I saw was in a movie theater, because the sun was just a little glow.
Maybe I've been a small part of the democratisation of celebrity, because I've been fascinated by it, and when it started to happen to me to the very limited extent that it happens to writers in North America, I was exposed to people who had the disease of celebrity. People who had raging, raging, life-threatening celebrity, people who would be in danger if they were left alone on the street without their minders. It's a great anthropological privilege to be there.
Many times, the game comes down to the final possession, the final shot. I want to become a better clutch performer. That's what separates the really good players from the really great players.
New research shows that you will be dead longer than you will be alive.
You may find somebody refreshing until they drop the N-word on you and then you're no longer feeling refreshed, you're just feeling offended. And where we draw that line as a society is sort of akin to what the Supreme Court said on pornography, you know, you know it when you see it. And it's different for each person.