They've not been able to control any Iraqi city. We're waging war against this snake and we will be victorious.
No art is less spontaneous than mine. What I do is the result of reflection and the study of the great masters.
Drawing is not the same as form, it is a way of seeing form.
And even this heart of mine has something artificial. The dancers have sewn it into a bag of pink satin, pink satin slightly faded, like their dancing shoes.
You have to have a high conception, not of what you are doing, but of what you may do one day: without that, there's no point in working.
The fascinating thing, is not to show the source of light, but the effect of light.
So that's the telephone? They ring, and you run.
A strategic plan based on the over-all situation of both belligerents is. . . more stable, but it too is applicable only in a given strategic stage and has to be changed when the war moves towards a new stage. . . . [Conversely, tactical plans may]. . . have to be changed several times a day.
Modern life is given over to immoderation. Immoderation invades everything: actions and thought, public and private life.
The doctrines of grace stand or fall together, and together they point to one central truth: salvation is all of grace because it is all of God; and because it is all of God, it is all for His glory.
[While designing] I'm mixing two lines of thought really: me as a designer for women and then me as a man. At the start of the design process it's the designer for women that comes to the forefront - sketching and revising the silhouette. Then the man comes into the picture - and I look at the shoe from a very masculine point of view. Then there is a conflict between the two sides of me. Sometimes the man wins, and sometimes the designer wins.