That was the thing about being on the inside: the world was just going on, even when it seemed like time for you had stopped for good.
I appear to be drawn to iconic characters and what they reflect back to our cultures.
I think we all have blocks between us and the best version of ourselves, whether it's shyness, insecurity, anxiety, whether it's a physical block, and the story of a person overcoming that block to their best self. It's truly inspiring because I think all of us are engaged in that every day.
I feel connected to the Second World War because my father lost his father in that war. So, through my dad and the effect it had on him of losing his father young, I always felt connected to the war. It goes back years, but it still feels to me as if we're completely living in it.
I think directors can become overly infatuated by gilt and gold, and the word "lavish" and everything being magnificent.
I was always obsessed with finding truly researched images to add authenticity, out of that came something totally contemporary and modern. Research is very key to my process because over and over again, reality provides more interesting images than you could have invented.
A lot of dramas get a bad name commercially because they are unremittingly bleak.
I think of Mike Myers as the Buster Keaton of today. I think he's brought us something so special.
The true key to the declension of the Roman empire which is not to be found in all Gibbon 's immense work may be stated in two words: the imperial character overlaying, and finally destroying, the national character. Rome under Trajan was an empire without a nation.
God doesn’t care what you’re not. He cares who you are. You are His, you come from the Master, and when He adds His extra to your ordinary and His super to your natural, nothing is impossible for you.
Music is thousands and thousands of years old and I don't think that basic, primitive connection to the language of music ever changes.