One day I will go back to my books and piano, but not yet.
I'm really the addition of other peoples' imagination, quite honestly. It's what they see me as, and I'm very happy to comply. I find things are more varied that way.
Nudes are the greatest to paint. Everything you can find in a landscape or a still life or anything else is there: darkness and light, character dimension, texture. I painted heads too, of course.
Films don't take as long as people think. 'Harry Potter,' people always used to say, 'Well, my God, do you ever get any time to yourself?' I think I did, in 'Harry Potter,' over a 12 year period I did five days. So it's not exactly exhausting.
There is always a better choice that you were unable to quite touch with a single stroke. Even in acting, there comes a point, like a painting, where you have to say, "That's it. I can't go any further with it. " And sometimes, you say, "I'm really pleased that that's where it's finished up. " Other times, you think, "I don't think I really quite got there, but I haven't got time to go any further. " Rather reluctantly, you have to say "That's it. "
Very, very broadly speaking, you can put directors into two areas: One for whom you work, and the other with whom you work. And I prefer the latter, for obvious reasons. It's a great relief to feel that you're working with someone rather than for someone. You don't feel that you're being tested, as it were.
When you're really working well with a director then you can be as outrageous as you like and so can he. And there's no worry about it.
America is an enormous country with enormous resources. The basic American spirit creates the Wright Brothers and Henry Ford and Bill Gates and Mark Zuckerberg. Once we start rolling, we're pretty formidable. And the incompetence of the government is so massive that even a moderately good executive could regain much ground pretty rapidly. Donald Trump is a very good executive.
Do good: we will meet one another there.
Zombies are the liberal nightmare. Here you have the masses, whom you would love to love, appearing at your front door with their faces falling off; and you're trying to be as humane as you possibly can, but they are, after all, eating the cat. And the fear of mass activity, of mindlessness on a national scale, underlies my fear of zombies.
What I'm proposing, to myself and other people, is what I often call the tourist attitude - that you act as though you've never been there before. So that you're not supposed to know anything about it. If you really get down to brass tacks, we have never been anywhere before.