I live in words. I like looking at things, but I don't have a strong visual imagination.
For me, photography must be visual, rather than intellectual and ideological.
Let's find visual excitement in what nature has to offer.
Where I come from, gettin' visual is habitual.
I like visual imagery in my head.
More than anything, there are more images in evil. Evil is based far more on the visual, whereas good has no good images at all.
The lies are in the dialogue, the truth is in the visuals.
For me nature is not landscape, but the dynamism of visual forces.
The thrill of doing visual effects doesn't exist.
The best way way to get a visual image is not to think of a visual image.
Some of the most remarkable and profound worship encounters I've experienced have happened in churches with no production, no lighting, no exciting visuals or amplification, sometimes with not even a single musical instrument.
For me the visual is just as important as the music.
The only purpose of the visuals, in any film, is to serve the story.
I like visual layers, stylistically, that's something I enjoy and seek to do.
After I script the movie, I have to storyboard it out, I have to budget it, and I have to understand if I can afford all those visual effects or not.
I was born inside the movie of my life. The visuals were before me, the audio surrounded me, the plot unfolded inevitably but not necessarily. I don't remember how I got into the movie, but it continues to entertain me.
We are limited by our visual, physical senses; yet from the Scriptures we can readily conclude that heaven is indeed not distant at all. It is nearby.
I've always been very interested in the visual aspect of what I do.
There is a visual narrative that is implicitly understandable even when you don't understand the words and in a good comic, and they are hard to find, but good comics have parallel intertwined narratives.
Visual pollution is more poisonous than any other pollution because it kills the soul.
