Even if you close your eyes, you'll still hear Donald Trump sniffing. Linguists might call [these visuals] paralinguistics, every form of information including facial gestures and facial features. Obviously these things get scrutinized in tremendous detail, so that a cough can be of outsized importance. [But] that's all part of the package.
More than anything, there are more images in evil. Evil is based far more on the visual, whereas good has no good images at all.
My exposure to visual art all my life was intensive.
My picture-poems are linguistic margins on visual atolls.
I consider myself more of a visual comedian than a physical one.
I like visual layers, stylistically, that's something I enjoy and seek to do.
I'm a great believer in visual distinctions.
After I script the movie, I have to storyboard it out, I have to budget it, and I have to understand if I can afford all those visual effects or not.
A performance can have amazing visuals and special effects, but it has to tell a good story, even if that story isn't original.
There is a visual narrative that is implicitly understandable even when you don't understand the words and in a good comic, and they are hard to find, but good comics have parallel intertwined narratives.
For me nature is not landscape, but the dynamism of visual forces.
Seeing, despite the name, isn’t merely visual.
The most important thing is that you have to have the visual effects working for you, instead of you working for the visual effects.
We are visual creatures. Visual things stay put, whereas sounds fade.
I'm really visually stimulated more than anything. I don't really listen to music. I'm more into watching telly or watching movies and visual art.
Racism is a visual pathology.
Music is so visual now.
I like visual imagery in my head.
I loved all those Doris Day visuals of her being a tomboy and then changing into this gorgeous girl in a ballgown.
The only reason that you do visual is solely for the visual. That's the only reason. It doesn't sell your music for you.