Talking to Lee Child and discovering, from his chapter in The Chopin Manuscript, that he's even more of an audio geek than I am (as his chapter in Chopin proves).
Yes, for me audio-visual performance has its roots in my experience working as an improvising musician and composer.
You must study their deliveries, their use of their bodies, their timing, and their use of audio and vocal effects.
I have an audio stigmatism whereby I hear things wrong - I have audio illusions.
Solar bursts typically last from half a minute to a couple of minutes and often sound like a rapid hissing noise followed by a gradual decrease back to the original audio level.
To me, it's always a joy to create music no matter what it takes to actually get there. The real evils are always whatever stops you from doing that - like if your CPU is spiking and you have to sit there and bounce all your MIDI to audio. Now that's annoying!
At the same time, one of the things I noticed was that the moment there was any kind of audio attached to virtual reality, it really improved the experience, even though the audio didn't feel like a sound engineer or composer had been anywhere near it.
The Audio Home Recording Act directly says that noncommercial copying by consumers is lawful.
I am a musician who stopped working with music. Now I work with visual music, or audio-visual music.
The Huffington Post Investigative Fund's goal is to produce a broad range of investigative journalism created by both staff reporters and freelance writers, with a focus on working with the many experienced reporters and writers impacted by the economic contraction. The pieces will range from long-form investigations to short breaking news stories and will be presented in a variety of media - including text, audio, and video.
I'm just kind of interested in focusing on what I'm interested in and just kind of solidifying it, or at least experimenting, or actualizing some of the experiments that I've had in my head for years, either filmicly or with audio.
One thing that has happened is a revolution in digital consumer recording, and overall, that's a great thing for art, but parallel to that there's been a revolution in boutique audio companies making excellent gear.
I'm kind of old-school and love nothing more than sitting, opening a book, and reading it. But I also love listening to audio books.
Audio is the only medium you can consume while you're multitasking.
Images are not only visual. They're also auditory, they involve sensuous impressions, bundles of information that come to us through our senses, and mainly through seeing and hearing: the audio-visual field.
This amazing breakthrough full-length revolutionary audio uses a powerful new combination of a subliminal hypnotic induction AND beautiful original music (created with a really cool ancient musical instrument) AND brand-new subliminal clearing commands ALL designed to begin to clear your unconscious blocks of anything and everything in the way of your attracting what you really want – and this incredible one-hour audio does it without any effort at all on your part!
You have to make rough decisions with sequencing and work within the limitations of having good audio for 15 minutes on a vinyl side.
The biggest difference for me is that the tales really have no logical outlet, no particular infrastructure in which to present them as you would have with a film festival. There's no IMDb for audio dramas. So there's a lot of work with no particular reward.
Audiophiles don't use their equipment to listen to your music. Audiophiles use your music to listen to their equipment.
I guess my guilty pleasure would be listening to the British audio versions of the 'Harry Potter' books.
