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When new pages are sent to editors and see rejection, we should ask for the reasons. We must study the reasons for failure and learn. It's not about struggle with our limitations or with public or the publishers. It's more about treating it like in aikido; the strength of the attack is used to defeat him with the same effort.

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Tim Hecker

You have to make rough decisions with sequencing and work within the limitations of having good audio for 15 minutes on a vinyl side.

Audio, Decision, Sequencing, Side, Sides, Vinyl
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I'm not an anti-online person. I get what the modern world's about and I understand that that's the nature of music dissemination.

Modern, Nature, Online, Understand, World

Because I refuse to perform my music in a traditional sense of instrumentation, I don't have an amazing live stage spectacle to provide, and I don't want to go there. I don't see how the music would stay true to the spirit of the work.

Perform, Spirit, Stage, Stay, Stay True, Want

Working with devices and guitar pedals and mixers and synthesizers is what I do, and I prefer people not focus on that because it's kind of distracting from what the point should be. At least for me, it's to have the primacy of aurality in the experience of that evening.

Focus, Guitar, Pedals, People, Synthesizers, Working

I did dance music for a short period of time but I felt like the fruit for me was in the outer dance world so I stopped doing overt techno and I think, in terms of rhythm, I enjoy things that feel like they're falling off, like they're just barely holding on.

Fall, Felt, Like, Period, Thinking, World

I love vinyl, but I'm not a 'vinyl person'. I still collect, but most of my stuff is digital.

Digital, Love, Person, Stuff, Vinyl
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