It was fun shooting with Josh [Holloway], not just how great he is, but just how handsome he is.
I love David Fincher - even though it was just two scenes, I loved the way we worked and could tell by the way he was shooting it that this was going to be an affective movie to say the least.
And though the newspapers called the shooting the Crime of the Century, Goldman knew it was only 1906 and there were ninety-four years to go.
I went through a divorce right as we were starting the show. My divorce became final right after we started shooting the first year, and during that time I was in such a low place.
After six, seven films, I started to get a little tired. Shooting takes a lot out of you.
I am not interested in shooting new things - I am interested to see things new.
Murders came with smiles, shooting people was no big deal for us Goodfellas.
Martin Luther was asked, what would you do if tomorrow the world would come to an end, and he said, 'I would plant an apple tree today. ' This is a real good answer. I would start shooting a movie.
For every fatal shooting, there are about 3 non-fatal shootings. Folks, this is unacceptable in America.
Some directors expect you to do everything; write, be producer, psychiatrist. Some just want you to die in a tragic accident during the shooting so they can get the insurance.
An eye-opening moment in my life, a very defining moment, was the first time I met Susan Sarandon [before shooting Thelma & Louise]. We were going to meet, just Ridley [Scott] and Susan and I, to go through the script and see if we had any thoughts or ideas. I was reading the script, and in the most girly way possible, meaning that if it was a line that could change or something different I'd like to see, I would think about each one and say, "Well, this one can wait till the set because I don't want to bring up too many things. "
I'm at the halfway point of shooting.
Shooting action is very, very meticulous, it's increments, tiny little pieces.
Just someone trying to shoot in 70mm deserves the nomination, and he[Quentin Tarantino] is shooting interiors, like tight interior shots, for that matter. Obviously [Quentin] is the director and demanding the shots, but all credit for the beauty of that film [Hateful Eight] goes to the director of photography.
I'm the kind of person that when I really want something, I wish for it. I wish on shooting stars. I wish on lots of things.
I enjoy personal injury cases. I've tried quite a few of those. And, frankly, any kind of litigation that is trouble-shooting, whether it's equities, suits and injunctions, or whatever.
Pick up a camera and start shooting. You need to wade in in order to figure out how to move forward and do something concrete. I firmly believe that a lot dynamic and revolutionary work flows from those who summon all of their personal energy and just go out and make something.
One. . . aspect of the case for World War II is that while it was still a shooting affair it taught us survivors a great deal about daily living which is valuable to us now that it is, ethically at least, a question of cold weapons and hot words.
If you ask footballers to pick out the player they most admire, so many of them will pick Paul Scholes. His passing and shooting is of the highest level and he’s the most consistent and naturally gifted player we’ve had for a long, long time.
AR-15s, in particular, are often called America's gun. They're some of the most popular rifles in the country, especially when it comes to sports shooting.