A lot of people refer to power as shooting a loaded gun. When you have to shoot the gun, you've lost the power. Other people's knowledge of your gun should be enough.
That's one of the things about theater vs. film - with theater, actors have a little more control, and one of the disappointing things about films is that once you're done shooting, anything can happen, you know?
I was so exhausted after fighting for the project for five years, shooting it was like the Bataan Death March
We are breaking new ground in the territory of dumb with Shooting Fish. Dumb, but in good taste. Silly, but not ridiculous.
Shooting a television show is hard enough, and it takes a lot of time away from your personal life and your family life.
What your soldier wants - really, really wants - is no-one shooting back at him.
How much would you want to stand at the wrong end of a shooting gallery?
Farre shooting never kild bird.
It seemed like this day could go in so many directions, like a spiderweb shooting out toward endless possibilities.
A good director is very well prepared, and knows exactly how he's going to cut the film, so the shooting is as efficient as possible.
When I was younger, I didn't like shooting part, because I was more of a writer and didn't like being the center of it all.
We are not shooting enough professors.
The fact of having this very new context, this unheard-of way of working, for me was very pleasant. I didn't feel that I was working, that I had any kind of burden to wear, to carry. I really was very happy and very lighthearted during the whole process of making the film [Certified Copy], of shooting it.
I'm real good at troubleshooting; When there's trouble. . . I start shooting.
Yeah, I know there's been all this talk this year especially about the 3-point shot and can you win shooting it. There's a lot of different styles that can work. You have to base it on your own personnel.
I urge everyone to be patient and reasonable and I warn against shooting from the hip in the truest sense of the term. Pressure and dialogue are needed.
There is a very particular feeling I get when I have the camera in my hand, looking at an actor talk, knowing that what I’m shooting will end up on the screen.
Israel's shooting down of a civilian airplane and then the killing of 107 innocent peopel aboard, and their raid into neutral Lebanon are very dangerous developments. There's only one way I can see to stop it. . . is for the United States to take a very strong stand that this has to be settled. . . politically settled.
Going from a short to a feature is like going from crawling to flying. It's a big jump, really. Everything triples - size of crew, budget, shooting days, the cast. Not to mention the stakes - as a first time feature filmmaker so much rides on this film.
To bring a child into the world that you cannot feed, clothe, house, and educate is the moral equivalent, in my opinion, of a drive-by shooting.