I really like the structure of my body. It moves well, it looks good, it photographs well, it understands gesture and nuance.
Look closer at the stress in your own life and you can identify that negative emotions are always built on counterfactual statements.
I look upon England today as an old gentleman who is travelling with a great deal of baggage, trumpery which has accumulated fromlong housekeeping, which he has not the courage to burn.
Maybe he just looks good compared to the bores he's running against.
I'm a survivor. But I'm also victim, too. Surviving has the connotation that you've been through it, you lived through it and that's wonderful - but a victim is what I was. "Survivor" is the more healing way to look at it.
My apartment looks like no one lives in it.
If you look at the 911 highjackers, certainly they were educated, some even had university degrees, but nobody really checked their mothers, who were nearly all illiterate.
When I look back on my ordinary, ordinary life, I see so much magic, though I missed it at the time.
I look for the safety of my child. I don't really care about me.
People are simply not willing to look at their problems honestly and admit that they have problems.
If Michaelangelo made a marble sculpture of a defensive end it would look like Mario Williams.
There is a similarity between juggling and composing on the typewriter. The trick is, when you spill something, make it look like a part of the act.
Them who don't look, sometimes get took.
Some like to start from the inside and then go to the outside. I'm the other type of actor. First, I have to know how my character looks, how he walks, how he drives, how he eats.
It's not an epitaph. I felt I could look back at my life and get a good story out of it. It's a picture of somebody trying to figure things out. I'm not trying to create some impression about myself. That doesn't interest me.
When we look upon lives so human and yet so small, we feel as if we ourselves were enlarged to an embarrassing bigness of stature. We feel the same kind of obligation to these creatures that a deity might feel if he had created something that he could not understand.
In India nearly everybody spoke metaphorically except the English who spoke bluntly and could make their most transparent lies look honest as a consequence; whereas any truth contained in these metaphorical rigmaroles was so deviously presented that it looked devious itself.
You have to ask yourself a lot of questions and probably go to therapy to make sure that you're not someone who's in love with themselves. And also if you're vain enough, then you know that is a bad look!
One of man's greatest failings is that he looks almost always for an excuse, in the misfortune that befalls him through his own fault, before looking for a remedy-which means he often finds the remedy too late.
A man to whom a woman cannot look up, she cannot love. Yet, it is marvelous how a woman contrives to find something to look up to in a man.