I find myself skeptical of music that forces you to have a certain experience, emotional reaction, or specific constructive arc of experience. But performers should still take care of that, to a certain extent - how does it add up? What you want from performance, because we're all in a room together, is that somehow we've gotten somewhere at the end, together. You could call that a sense of narrative, but it's not so obvious how that happens. One way it happens is by everyone caring about it happening.
Jason Whitlock
Unchecked pride evolves into swagger, a hypnotizing mask of insecurity that can and does compromise our ability to make progress and attain power. Pride stands in the way of forgiveness and a strategic approach to navigating a chessboard rigged to prevent pawns from becoming kings and queens.
