. . . what I enjoy in a narrative is not directly its content or even its structure, but rather the abrasions I impose upon the fine surface: I read on, I skip, I look up, I dip in again. Which has nothing to do with the deep laceration the text of bliss inflicts upon language itself, and not upon the simple temporality of its reading.
From time to time it has struck me that as a writer, I've somehow managed to live my life as I had long ago dreamt of doing, based on the Tintin paradigm: on my toes, travelling, senses attentuated, everything just adventure and exploration, curiosity and problem-solving.