See everything, overlook a great deal, correct a little.
I think if you do something and it turns out pretty good, then you should go do something else wonderful, not dwell on it for too long. Just figure out what's next.
If you are working on something exciting that you really care about, you don't have to be pushed. The vision pulls you.
You cannot mandate productivity, you must provide the tools to let people become their best.
Reed College at that time offered perhaps the best calligraphy instruction in the country. . . . I decided to take a calligraphy class to learn how to do this. . . . It was beautiful, historical, artistically subtle in a way that science can't capture, and I found it fascinating. None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me.
I mean, some people say, 'Oh, God, if [Jobs] got run over by a bus, Apple would be in trouble. ' And, you know, I think it wouldn't be a party, but there are really capable people at Apple. My job is to make the whole executive team good enough to be successors, so that's what I try to do.
Design is not just what it looks like and feels like. Design is how it works.
I have a lot faith in the younger generation of music lovers. Youth isn't living in the past; if somebody tells them that there's something better than what they have, they're going to check it out. And if they like it, they're going to get it. I'm not worried about the youth. Young people aren't just looking back, they are also looking forward.
The brutal reality about aging is that it has only an accelerator pedal. We have yet to discover whether a brake exists for people.
It's very difficult to marry into another civilization.
Nothing about us without us.