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-"Nick?" "I'm still here, Laurant. " -"Did you tell Tommy we slept together?" "No, but you just did. He's standing right here. " She fell asleep. But this time she didn't have any dreams or nightmare.

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Ira Sachs

I tend not to think that anything I happen to be reporting on in my films is special. Meaning that people are always saying to me, 'you must love New York, you have it in all your films. ' But mostly it's because I know New York, and I know Brooklyn at this time. I know the lives there, because I have lived in them.

Happen, New York, People, Thinking, Time
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I think my movie addresses the struggles of communities facing class distinctions, which are timeless. The questions of how we live together and what we do for money are really the stuff of drama.

Class, Drama, Facing, Struggle, Struggles, Thinking

I'm someone who can create critiques of individuals based on their economic history. That's one way I look at people in terms of one story that could be told purely in a Marxist construction.

Economic History, History, Looks, People, Story, Told

When working on and writing a film, I'm often more of a sponge than other times, aware of what's going on around me.

Film, Sponges, Times, Working, Writing

To come to change, there had to be conflict and pain.

Change, Come, Conflict, Pain

My early films were about self discovery, and films of internal conflict. At that level, they were very personal.

Conflict, Discovery, Early, Level, Levels, Self
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