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The average man votes below himself; he votes with half a mind or a hundredth part of one. A man ought to vote with the whole of himself, as he worships or gets married. A man ought to vote with his head and heart, his soul and stomach, his eye for faces and his ear for music; also (when sufficiently provoked) with his hands and feet. If he has ever seen a fine sunset, the crimson color of it should creep into his vote. The question is not so much whether only a minority of the electorate votes. The point is that only a minority of the voter votes.

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Robert Musil

. . . the structure of a page of good prose is, analyzed logically, not something frozen but the vibrating of a bridge, which changes with every step one takes on it.

Bridge, Bridges, Frozen, Pages, Step, Vibrating
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Is not art a tool we employ to peel the kitsch off life? Layer by layer art strips life bare. The more abstract it gets, the more transparent the air is. Can it be that the farther it is removed from life, the clearer art becomes?

Air, Art, Bare, Clearer, Tools

In their field they [mathematicians] do what we ought to be doing in ours. Therein lies the significant lesson. . . of their existence. They are an analogy for the intellectual of the future.

Analogies, Existence, Field, Intellectual, Lesson, Lying

It is, all in all, a historic error to believe that the master makes the school; the students make it!

Believe, Errors, Historic, Make, Master, School

Strong emotional experiences are for the most part impersonal. Anyone who has hated another person so much that only chance stands between that person and death knows this, as does whoever has fallen into the catastrophe of a deep depression, anyone who has loved a woman to the dregs, anyone who has beaten others bloody or ever come up behind another person with muscles trembling. "Losing one's head," language calls it. Emotional experience is, in itself, poor in qualities; qualities are brought to it by the person who has the experience.

Beaten, Bloody, Depression, Emotional, Poor, Strong

. . . the novel is called upon like no other art form to incorporate the intellectual content of an age.

Age, Art, Intellectual, Like
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