The more I resist anything, the stronger it gets.
I haven't seen the show, but when it was finished I felt good about what we had done. I don't know how it will stack up with Survival, but that'll be up to the critics.
I'm not getting up in the helicopter. I have a premonition that I'm going to get killed in a helicopter crash.
Last summer a second unit production crew went to France and shot scenes for several of this seasons episodes. They shot costumed actors in and around real castles and landmarks, we couldnt possibly have duplicated here in Hollywood.
Because we are in a war situation, this can sometimes be dangerous work. But guys like A. D. Flowers and his technicians just take it in stride and get on with the job. In four years, we've never had a serious accident or injury working with all the explosions.
Stories come from other shows at other studios where only 2,000 rounds were actually used and the money for the other 3,000 went right into the studio pockets. Corners were cut and that production suffered. Knock wood, that hasn't happened to us.
I think we've shot scenes from every angle directors can think of to make it look like different villages. I've directed a couple shows on that set and believe me, it's impossible not to duplicate some camera angles.
I tell everybody, I get so much because I give so much. I give freely, I give all my time, give all my money, give all of my soul. I try to motivate people. I try to inspire them.
. . just do, leave it there, if it comes let it come, but don't look for it.
I don't want to lose too much of the mystery by hammering every detail to death.
It's wonderful to win, but don't get cocky about it!