As long as the working-people fold hands and pray the gods in Washington to give them work, so long they will not get it.
I just don't want to be rapping forever. I love it, but sometimes you got goals for yourself.
I'm just going to do me; I'm not trying to do the Eminem thing, the D12 thing or the 50 thing.
I was about 11 when my mother brought me this karaoke machine and I was really into it back then, but about 4 or 5 years ago is when I started printing up my own music, going to the studio and doing my own thing.
I'm a sociable person. I want people to know where the f - I came from.
I would say old school cats like Redman and Wu-tang. My style is my style, those are just cats that I liked.
But working with Dre, I grew up with his music, so I'm still like more a fan.
He who would acquire fame must not show himself afraid of censure. The dread of censure is the death of genius.
Unconsciousness, spontaneity, instinct. . . hold us to the earth and dictate the relatively good and useful.
Ensnared in his starvation, Chaplin-man is always just below political awareness. A strike is a catastrophe for him because it threatens a man truly blinded by his hunger; this man achieves an awareness of the working-class condition only when the poor man and the proletarian coincide under the gaze (and the blows) of the police.
I was the only Black person on the set. It was unusual for me to be in a circumstance in which every move I made was tantamount to representation of 18 million people.