So March: Book One was the first book I ever wrote. And it was the most terrifying process I've ever been through.
He's a great - he's a great professor. He retired recently, but. But Peter Halley as well.
I think the world that I grew up in was like being in this sort of magical artistic garden.
There is something to be said about laying bare the vocabulary of the aristocratic measure, right? There's something to be said about allowing the powerless to tell their own story.
Can I - do I have to be obsessed with it and proceed from that? Not always. But when I'm on top of my game, I definitely think about the way that the world sees me and the way that the world thinks about painting. You must.
It was probably one of the things that gave me a sense of possibility and allowed for me to see beyond the small community that I existed within. You know, I was making friends with young Soviet kids. this is during perestroika. You know, there's bread lines and vodka lines. The entire social structure of what was then the Soviet Union was radically different from what we know today.
I grew up in South Central Los Angeles, where people are in cars.
I was not a studious kid, and I struggled to find things that would command my attention and engage my ideas and energies.
In America, evangelical churches have often been bastions of conservatism, providing support for the status quo.
The student of arithmetic who has mastered the first four rules of his art, and successfully striven with money sums and fractions, finds himself confronted by an unbroken expanse of questions known as problems.
The thing that I see disappearing is just the love of old movies among kids. Everything's accessible, so you can get it, but when everything's accessible, that means you have to access it. And if you're not interested, you don't.