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The book works better if I know everything I can about the ending. Not just what happens, but how it happens and what the language is; not just the last sentence, but enough of the sentences surrounding that last sentence to know what the tone of voice is. I imagined it as something almost musical. Then you are writing toward something; you know the sound of your voice at the end of the story. That's how you want to sound in those final sentences: the degree that it is uplifting or not, the degree that it is melancholic or not.
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Thomas McEvilley
It is. . . possible to read Plato as if he were only discussing reason and not mystical intuition in his writings but. . . in that case he seems naively over-impressed by rather ordinary thought processes.
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