Publicity, discussion, and agitation are necessary to accomplish any work of lasting benefit.
Your obligation as writers is to distinguish yourself. … The ultimate result should be a book that you write that no one else could have written.
You have to follow your own voice. You have to be yourself when you write. In effect, you have to announce, 'This is me, this is what I stand for, this is what you get when you read me. I'm doing the best I can - buy me or not - but this is who I am as a writer.
As much as I like it when a book I'm writing speeds along, the downside can be that an author becomes too eager to finish and rushes the end. The end is even more important than the first page, and rushing can damage it.
I have a graduate degree from Penn State. I studied at Penn State under a noted Hemingway scholar, Philip Young. I had an interest in thrillers, and it occurred to me that Hemingway wrote many action scenes: the war scenes in 'A Farewell to Arms' and 'For Whom the Bell Tolls' come to mind. But the scenes don't feel pulpy.
A thriller must be thrilling. A mystery may or may not be a thriller depending on how much breathless emotion it has, as opposed to cerebral calculation.
". . . What if?" Through the alchemy of those two words, something new comes into the world.
What you call magic is nothing more than an act of the imagination fired by the senses, then given shape by the power of your aura.
The Morganville in her wanted to tell people to go home and be safe, but she knew that was verging on crazy. The world these laughing people lived in was a very different place. She was in a very different place.
Whatever their future, at the dawn of their lives, men seek a noble vision of man's nature and of life's potential.
We needed to stop asking about the meaning of life.