Of course I didn't pioneer the use of food in fiction: it has been a standard literary device since Chaucer and Rabelais, who used food wonderfully as a metaphor for sensuality.
The nature of the work is to prepare for a good accident.
For any director with a little lucidity, masterpieces are films that come to you by accident.
While the goal of all movies is to entertain, the kind of film in which I believe goes one step further. It compels the spectator to examine one facet or another of his own conscience. It stimulates thought and sets the mental juices flowing.
Everything becomes creative if the person doing the job is
All great work is preparing yourself for the accident to happen.
All good work requires self-revelation.
how much better to make no vow; then at least when the cord of attraction snaps, we can go free, still defying the lightning in our untarnished pride.
What the hell did we do to deserve this?
It seems to be the fate of man to seek all his consolations in futurity. The time present is seldom able to fill desire or imagination with immediate enjoyment, and we are forced to supply its deficiencies by recollection or anticipation.
Being inspired is fine for a week, and being motivated might work for a month or so, but to make any lifestyle change last a lifetime, you need dedication.