All people have three characters, that which they exhibit, that which they have, and that which they think they have.
The men who attempt to survive, not by means of reason, but by means of force, are attempting to survive by the method of animals.
The majority of those who are loosely identified by the term 'liberals' are afraid to let themselves discover that what they advocate is statism. They want to keep all the advantages and effects of capitalism, while destroying the cause, and they want to establish statism without its necessary effects. They do not want to know or to admit that they are the champions of dictatorship and slavery.
When you have established that one alternative is good and the other is evil, there is no justification for the choice of a mixture. There is no justification ever for choosing any part of what you know to be evil.
America’s founding ideal was the principle of individual rights. Nothing more-and nothing less. The rest-everything that America achieved, everything she became, everything 'noble and just,' and heroic, and great, and unprecedented in human history-was the logical consequence of fidelity to that one principle.
A society that robs an individual of the product of his effort. . . is not strictly speaking a society, but a mob held together by institutionalized gang violence.
One of the methods used by statists to destroy capitalism consists in establishing controls that tie a given industry hand and foot, making it unable to solve its problems, then declaring that freedom has failed and stronger controls are necessary.
Clutter is not a property of information. Clutter is a failure of design.
I met Will Smith twice. I didn't talk to him for too long but I was trying to let him know that my age group grew up watching him - he was the coolest guy on television and the coolest guy in movies.
No one wants to be some guy who puts records out about how good it is. That seems quite arrogant.
. . . a mysterious intersection of chance and attention that goes well beyond the existential surrealism of the 'decisive moment'.