I think the world of you. . . and you know what condition the world is in today.
I love that sense of release as you throw yourself into the crowd as hundreds of arms are carrying you.
I can't wait to get on stage, because there you don't worry about whether you'll ever get married because your life is insane, or whether you'll ever have another boyfriend again, you don't worry about the typical boundaries of how your life has to be.
I was always that girl growing up who you could find dancing down supermarket aisles. It's that sense of not feeling inhibited. Dancing in supermarkets is my favorite thing.
I tend to lose myself in the moment. I’m not very good at holding back. I don’t know how to do this without feeling everything. My emotions are the tool I use to perform.
I can't ever seem to shake the feeling that when things are really good it essentially means that things are going to go really bad. When I feel calm and settled, there is always an underlying feeling of impending doom. . . I don't think that it's healthy.
A lot of the songs on the new album are about imaginary things, things that you can't touch - ghosts and rumors, my dead grandmother, things visiting you in a dream.
There are people who believe in Egypt that I - I'm actually - I'm getting paid by external powers and external intelligence entities in order to use satire to bring down the government.
I don't think I should have been married. . . to anybody.
We can refute assertions, but who can refute silence?
The visuals and the audio, could stand by themselves in a way. But the whole idea of the thing, is that they would exist together. So I think together, they're way more of a stronger thing. You could listen to just the music, or just watch the video, but I think it would really mean. . . obviously it would just be half the experience.