I've got money so I'm a Conservative.
I wanted to keep exploring. . . I'm not about to choose a series of movies in which I can use the same bag of tricks and style that I used in the first film.
Directing Skyfall was one of the best experiences of my professional life, but I have theatre and other commitments, including productions of Charlie And The Chocolate Factory and King Lear, that need my complete focus over the next year and beyond.
Confidence is essential, but ego is not.
The importance of rehearsal is maybe you want to talk about how the scene's going to be designed, how it's going to be staged, all of those things. It's all about preparation, and deciding what mutually you don't want to do, rather than necessarily what you do.
You've got to work. You've got to want an audience to sit forward in their chairs sometimes, rather than sit back and be bombarded with images.
Truly great actors carry their characters in silence with them. They communicate without words the relationships that predate the movie.
To England will I steal, and there I'll steal.
The future is not a result of choices among alternative paths offered by the present, but a place that is created--created first in the mind and will, created next in activity. The future is not some place we are going to, but one we are creating. The paths are not to be found, but made, and the activity of making them, changes both the maker and the destination.
My confidence wavers between being genuine and being insecure.
No one is guaranteed a job in this.