And in more than half the pictures, she isn't looking at the camera; she's looking at him. Not the way I would look at Ben Parish, all squishy around the eyes. She looks at Evan fiercely, like, This here? It's mine
It's new, it's improved, it's old fashioned.
I don't have a drinking problem 'Cept when I can't get a drink.
Don't you know there ain't no devil, it's just god when he's drunk.
The trick is to have a career and have a family. It's like having two dogs that hate each other and you have to take them for a walk every night.
Oh, I'm not a percussionist, I just like to hit things.
I'm not fighting for justice. I am not fighting for freedom. I am fighting for my life and another day in the world here.
If you aren't going to do something all the way, don't do it.
Characterization in a play is like a blank check which the dramatist accords to the actor for him to fill in.
Are you a slave to your self-centered nature or does your divine nature guide your life? Do you kow that every moment of your life you're creating through thought? You create your own inner condition; you're helping create the conditions around you.
As a whole, I am interested in the symbolic, rather than the literal use of the camera.