Sometimes what happens is that, when you micromanage actors and moments, it just doesn't quite live.
It's funny, because I sometimes feel that I'm most creative when I'm pregnant.
I went camping in the Maasai Mara and we moved site every night. I had no idea how spectacular it would be, how removed from ordinary life, or how many animals we would see.
I make sure I carve out time to be with my daughter.
I always have a camera now that I've got a kid, but I don't think I've got one picture of anyone other than my daughter.
I'm a designer, not a businesswoman.
We don't leave home without my daughter's doll La-La. She looks like a bit of a rag, but India is obsessed with her.
I have gone from "being" my experience to being infinite consciousness having the experience and observing the experience.
I've never been much for self-revelation. In two decades of public life, I always approached the limelight with extreme caution. Not that I kept my personal life off-limits; rather, the personal life I put on display was a blend of fact and fiction.
Oftentimes the quality of the light tells the story: the time of day, the weather, whether sun is streaming through the window. It can also help you appreciate what the actor is feeling, what the playwright wants you to feel. Any engineer can put a spot on someone.
The idea that women journalists bring a different taste in stories or sensibility isnt true.