By the late Nineties, we had become a more visual nation. Big-money taste moved to global standards - new architecture, design and show-off contemporary art. The Sloane domestic aesthetic - symmetry, class symbolism and brown furniture - became as unfashionable as it had been hot in the early Eighties.
The idea behind The Hole in Our Gospel is quite simple. It's basically the belief that being a Christian, or a follower of Jesus Christ, requires much more than just having a personal and transforming relationship with God. It also entails a public and transforming relationship with the world.